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And that despite his failing hip and fatuous flippancy during emotional crises, he’ll always find women who want him. ‘Linda Vista’ Broadway Review: Tracy Letts Play Gets Last Laugh On Know-It-All Radiohead Hater Greg Evans. Tracy Letts, the author of “August: Osage County,” reinvents the midlife crisis play with a hilarity that scalds in this Steppenwolf production. Before Letts swam into the mainstream with “August,” he was a master of pitch-dark comedies that measured the grisliest depths of human behavior (“Killer Joe,” “Bug”). He presents himself picturesquely as a born loser and is delighted when a young woman in a bar offers this quick-sketch character portrait: “Let me guess. Last night Second Stage Theater kicked off its largest Broadway season to date with the official opening of the first of three productions at The Hayes Theater. Letts’s long-awaited return to Broadway received mostly positive notices.  Just out of his ex-wife’s garage and into a place of his own, Wheeler starts on a path toward self-discovery — navigating blind dates, old friends, and new love. Ian Barford, a Steppenwolf Theatre Company member since 2007, made his short-lived Broadway debut in 1994 in The Rise and Fall of Little Voice, before finding success with August: Osage County in 2007. Similar types regularly stalked Broadway and the West End, in plays by dramatists as different as Simon Gray (“Butley,” “Otherwise Engaged”), Alan Ayckbourn (“The Norman Conquests”) and Neil Simon (“Jake’s Women”). Running time: 2 hours 40 minutes. New York Theater October 10, 2019 Leave a comment Can an underemployed middle-aged jerk be a babe magnet? Linda Vista's strongest elements spring from Letts' nuanced handling of his characters. Letts, for the record, has already explored this much-tilled territory in his Pulitzer-shortlisted “Man From Nebraska,” seen here in 2017 (and, like “Linda Vista,” a Second Stage presentation.) ‘Linda Vista’ Review: A Womanizer Who Devastates as He Charms. And each female character, in her own way, has learned how to navigate an environment that has been polluted by misogyny. The multi-faceted Wheeler isn't easily pinned down. Actually, it’s Dick Wheeler, but he prefers to dispense with the first name, perhaps on the theory that it’s better not to provide too many clues to your essential nature. And though he can be lacerating to others, he’s hardest of all on himself. Ahead of tomorrow's official opening at The Hayes Theater on Broadway, official production photography has now been released for the New York premiere of Pulitzer Prize and Tony Award winner Tracy Letts' dark comedy Linda Vista. How could you not fall for this self-flagellating, frustrated artist, who looks, as one woman puts, it “like a turtle who doesn’t know he’s lost his shell”? May not be suitable for people under 18. That, though, was a lyrical and oblique work that heard the abyss of nonexistence roaring within long silences. But don’t make the mistake of equating vulnerability with harmlessness. Pretty accurate. Wheeler might argue that he and Paul are just goofing (sort of), that they’re also enlightened 21st-century men who understand that some kinds of behavior regarding the opposite sex are no longer cool. (l to r) Cora Vander Broek and Ian Barford in ‘Linda Vista.’ (Photo: Joan Marcus) By Matthew Wexler. My dad had shelves of novels about such men — written by Kingsley Amis, John Updike and Philip Roth. his Pulitzer-shortlisted “Man From Nebraska,”. tickets for shows currently on sale. Linda Vista (Closed November 10, 2019) | Broadway - Buy tickets and see show information. Wheeler was once a photographer for a Chicago newspaper, but now repairs cameras in a storefront shop. Linda Vista | Broadway Direct ALL BROADWAY SHOWS IN NYC SUSPENDED THROUGH MAY 30, 2021. are a diverse lot. Their conversation, too, has a sophomoric ring, as they debate the right word for big breasts, like the pair on one of Wheeler’s co-workers. Second Stage Theater in association with Center Theatre Group, Ian Barford (as Wheeler), Sally Murphy (as Margaret), Caroline Neff (as Anita), Chantal Thuy (as Minnie), Jim True-Frost (as Paul), Cora Vander Broek (as Jules), and Troy West (as Michael), 240 West 44th Street (between Broadway and 8th Avenue), New York, NY 10036, 42nd Street - Port Authority Bus Terminal Station, theatre 50-year-old Wheeler finds himself newly divorced and in the midst of his own mid-life downward spiral. That’s a question theatergoers are likely to ask about Wheeler, the central character in Linda Vista, Tracy Letts’ latest play on Broadway. Broadway review: "Linda Vista" is the Tracy Letts play starring Ian Barford and a mostly-Chicago cast in a play set in Southern California, and is Steppenwolf's latest Broadway transfer. Here are the bare bones of its familiar-sounding plot: Wheeler, in the midst of a protracted divorce and estranged from (and seemingly uninterested in) his 13-year-old son, moves into his own place, an apartment complex (as squalidly sterile as such environments can be, in Todd Rosenthal’s set, lighted without mercy by Marcus Doshi). “Oh, absolutely,” she responded. Read our full 4* review here. Wheeler, it must be said, has plenty of acidic comments to make about such phenomena. Following acclaimed runs at the Steppenwolf Theatre in Chicago in 2017 and at Center Theatre Group in Los Angeles earlier this year, Linda Vista is finally open on the Great White Way!  Full of opinions, yet short on self-examination, Wheeler must reconcile the man he has become with the man he wants to be. Chantal Thuy and Ian Barford in the Steppenwolf Theatre Company production of Tracy Letts’ 'Linda Vista.' Amid an increasingly (and gratefully) diverse collection of narratives arriving on Broadway, Linda Vista boldly challenges the perception of straight white male privilege. Now, this relationship continues to grow and expands to Broadway with this New York premiere of Linda Vista. (Photos: Emilio Madrid for Broadway.com) Tracy Letts' dark comedy Linda Vista, starring Ian Barford as 50-year-old divorcee Wheeler, officially opened at the Helen Hayes Theatre on October 10. Sep 06, 2019 A guide to 21 upcoming (or recently opened) productions Back to top. SIGN UP for Gold Derby’s free newsletter with latest predictions. After moving of his ex-wife's couch, he finally finds a place of his own and he takes a journey to try rediscover who he really is, or was. And as he keeps racking up the sexual conquests, a part of us is meant to cheer him on. Played with immense, shaggy charm — and anger to match — by Ian Barford in a performance that reminds you of how brilliantly bruising Steppenwolf acting can be, this charismatic loser is named Wheeler. “Linda Vista” stars Ian Barford, Sally Murphy, Caroline Neff, Chantal Thuy, Jim True-Frost, Cora Vander Broek, and Troy West. Letts has forged a fruitful relationship with Second Stage Theater in recent years, with the company staging his plays Man from Nebraska (itself a 2004 Pulitzer Prize finalist) and Mary Page Marlowe at the Tony Kiser Theater in 2017 and 2018, respectively. Second Stage Theater presents the Steppenwolf Theatre production of Linda Vista (in association with Center Theatre Group), written by Pulitzer Prize and Tony Award winner Tracy Letts and directed by Dexter Bullard, as part of its 2019-2020 Broadway season. “Linda Vista” premiered at Steppenwolf in Chicago. Browse 300+ critical Linda Vista reviews & compare Linda Vista ticket prices. Through the lens of playwright Tracy Letts, it’s not all it’s cracked up to be. You’re a deadbeat, work a dead-end job, married — no wait, divorced — hate your wife and kids, hate everybody, depressed, can’t get laid, your body’s breaking down, the only thing that still runs is your mouth.”. As it ends, he is making a passive-aggressive pitch to yet another woman, to whom he has acted as a sort of white knight. Some women will surely ask the question rhetorically and in disgust; some men, full of hope. It feels fitting that the women outnumber the men here, who are rounded out by Wheeler’s boss, Michael (Troy West), who is so creepily sexist he makes Wheeler look saintly. As a playwright, Tracy Letts took the Broadway scene by storm in 2007 with his widely celebrated and critically acclaimed drama August: Osage County, which went on to scoop the Tony Award for “Best Play” and the Pulitzer Prize for Drama in 2008. Sometimes sad, sometimes like a slow car crash, sometimes hilarious. This gasp-inducing moment was exactly when I decided that Mr. Letts’s latest play, directed with astutely varied pacing and room for rage by Dexter Bullard, was going to be a lot more interesting than I had thought. Traditionally, he’s a man we can’t help enjoying no matter how badly he behaves because he wallows so eloquently in his own pain. Linda Vista NYT Critic's Pick Broadway, Drama, Play Closing Date: Nov. 10, 2019 Helen Hayes Theater, 240 W. 44th St. 212-239-6200. Home; News. It went on to have its Los Angeles premiere at Center Theatre Group in the Mark Taper Forum in February 2019 - and now it’s on Broadway. Such an attitude is atmospheric in “Linda Vista,” and it manifests in an assortment of casual cultural references: to a true crime television show (about a sex slave in a basement); comic book superhero movies; humiliation porn; and that monumental work of navel gazing, “My Struggle” by Karl Ove Knausgaard. 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